Piet Mondrian Gallery
Step into the world of geometric elegance with our Piet Mondrian Collection, featuring high-resolution reproductions of the Dutch master’s iconic works. Known for his bold use of primary colors, black grid lines, and asymmetrical balance, Mondrian’s abstract compositions have become synonymous with modernist design.
This curated selection brings together some of Mondrian’s most celebrated compositions — meticulously restored from museum-quality archives — offering you the opportunity to bring a piece of art history into your home.
Perfect for:
-
Minimalist and Bauhaus-inspired interiors
-
Modern offices, studios, or gallery walls
-
Design collectors and art aficionados
Each print is available in multiple sizes and framing options, making it easy to find the perfect fit for your space.
Styled in real homes
Composition with Red, Yellow, Blue, and Black (1921)
Bold, balanced, and unmistakably modern — this iconic composition captures the essence of De Stijl design. Using a harmonious grid of vertical and horizontal black lines, Mondrian masterfully organizes a symphony of primary colors — red, yellow, and blue — alongside blocks of white and black, creating a rhythmic visual tension that feels both grounded and dynamic.
Painted in 1921, this piece reflects Mondrian’s philosophical pursuit of universal harmony and abstraction, where form and color are reduced to their purest elements. It’s a celebration of structure, clarity, and modern thought, making it one of the most recognized and celebrated works in the history of abstract art.
Composition with Large Blue Plane, Red, Black, Yellow, and Gray (1921)
A striking exploration of geometric harmony, this work features a dominant field of blue balanced by precise blocks of red, yellow, black, and white. Through simple lines and pure color, Mondrian creates a rhythmic sense of calm and tension — a hallmark of his abstract vision.
A timeless piece of the De Stijl movement, it embodies the artist’s quest for universal balance and spiritual order.
Place de la Concorde (1938–1943)
A refined composition from Mondrian’s late period, Place de la Concorde showcases his mature use of neoplasticism. The asymmetrical grid, punctuated by confident strokes of red, blue, yellow, and black, vibrates with dynamic equilibrium. The large white space evokes calm and order, while the rhythmic accents reflect the pulse of modern life — a quiet homage to the energy of Paris.
Composition C (No.III) with Red, Yellow and Blue (1935)
In this vibrant work, Mondrian pushes the boundaries of abstraction with a complex grid of bold primaries and stark neutrals. The interplay of rectangles in red, yellow, blue, black, and white pulses with rhythm and tension. Balanced yet unpredictable, this piece captures the artist’s pursuit of harmony through dynamic asymmetry — a hallmark of the De Stijl movement.
Composition in Color A (1917)
In this striking early example of Mondrian's journey toward abstraction, blocks of vibrant red, cobalt blue, and ochre orange are scattered across a white backdrop. The rhythmic placement of small black bars introduces a visual pulse, hinting at musical influence. This piece reveals Mondrian’s evolving exploration of balance, harmony, and geometric abstraction—a glimpse into the origins of his iconic neoplastic style.
Broadway Boogie Woogie (1942–1943)
Inspired by the vibrant rhythm of New York City and the upbeat pulse of boogie-woogie jazz, Mondrian’s final masterpiece is a dazzling grid of yellow, red, blue, and white. Unlike his earlier, more austere compositions, this piece bursts with energy, resembling a buzzing city map. The dynamic pattern mirrors the motion and excitement of Manhattan, reflecting the artist’s joy in music and modern life.
Composition (1921)
Piet Mondrian’s Composition (1921) is a masterful example of the artist’s pioneering abstract style, featuring bold black lines intersecting to form dynamic rectangles filled with red, blue, yellow, and neutral tones. This work exemplifies the De Stijl movement’s vision of harmony through geometric balance and pure color.
Original from the Museum of New Zealand Te Papa Tongarewa.
Composition in White, Red, and Yellow (1936)
A stunning example of Mondrian’s mature style, Composition in White, Red, and Yellow reflects the artist’s quest for pure abstraction and universal harmony. With bold black lines dividing crisp white space, and carefully placed blocks of red and yellow, the composition evokes a sense of rhythm, order, and balance. This piece is a refined statement of De Stijl aesthetics, perfect for lovers of minimalism and modern design.
High-resolution reproduction from the original housed at the Los Angeles County Museum of Art.
Composition in Brown and Gray (1913)
A compelling example of Mondrian’s early experimentation with Cubism, Composition in Brown and Gray features interlocking geometric forms in subdued earth tones. The soft palette of ochre, taupe, and slate gray reveals a more atmospheric side of Mondrian’s evolving abstraction, balancing structure with subtlety. This work captures the transition between his representational roots and the radical simplification that would come to define De Stijl.
Study for a Composition (1940–1941)
This preparatory work by Piet Mondrian offers a rare glimpse into the artist’s process, revealing delicate charcoal grid lines beneath vibrant blocks of red, blue, and yellow. The study reflects Mondrian’s transition toward greater abstraction and spatial tension, hallmarks of his late period.
Original from The Art Institute of Chicago.
New York City I (1942)
In New York City I, Piet Mondrian channels the energetic rhythm of Manhattan’s streets through an intricate grid of yellow, red, and blue lines. This late masterpiece abandons black entirely, embracing a vibrant linear dance that mirrors the pulse of urban life. It stands as one of Mondrian’s most dynamic works, epitomizing his mature neoplastic vision.
Original from Wikimedia Commons.
Composition No. IV (1914)
A pivotal work marking Mondrian’s transition from representational to abstract art, Composition No. IV reflects the early development of his iconic grid style. Painted in 1914, it showcases a delicate balance of black lines framing pastel-hued rectangular forms, including soft pinks, greys, and creams. The composition hints at architectural structure while embracing abstraction, embodying the artist’s pursuit of universal harmony through form and color. This work stands as a precursor to the later, more geometric pieces that would define Mondrian’s influence on De Stijl and modern art.
Original from Wikimedia Commons.
Red Gladioli (1906)
In this expressive early floral still life, Piet Mondrian captures the vivid intensity of red gladioli with bold, painterly strokes. The bright blossoms stand out against a muted, pale background, drawing attention to their natural elegance and energy. Created before his abstraction phase, this piece reveals Mondrian’s sensitivity to color, texture, and form—offering a glimpse into the artist’s developing visual language.
Irises (1910)
Painted before his move toward abstraction, Irises showcases Mondrian’s early mastery of color, composition, and natural forms. The delicate blue flowers stand in soft contrast to a warm ochre background, their organic shapes rendered with expressive brushwork and subtle tonal variation. This still life reflects Mondrian’s deep connection to nature and hints at the harmony and structure that would later define his abstract works.
The Flowering Apple Tree (1912
A captivating glimpse into Mondrian’s early transition toward abstraction, The Flowering Apple Tree beautifully bridges the gap between Post-Impressionism and Cubism. This softly geometric yet organic composition captures the essence of nature while foreshadowing Mondrian’s later grid-based style. The muted pastel tones and expressive black outlines offer a poetic interpretation of a blossoming tree in motion, imbued with rhythm and evolving structure.
High-resolution reproduction of the original painting, courtesy of Wikimedia Commons.
Still Life with Gingerpot II (1912)
A pivotal work in Mondrian’s transition toward abstraction, Still Life with Gingerpot II reimagines a traditional still life through the lens of Cubism. The recognizable form of a ginger jar anchors the composition amid a fractured geometric arrangement of lines and muted tones. Mondrian explores spatial structure and form, hinting at the essence of objects while dissolving their realism. This piece reflects his growing interest in reduction, order, and the abstract language that would soon define his style.
Avond (Evening): The Red Tree (1910)
One of Mondrian’s most celebrated early works, The Red Tree captures the artist in transition from naturalistic representation toward abstraction. The gnarled red branches stretch dramatically across a vivid blue background, creating an emotional intensity through bold color contrasts and rhythmic lines. Painted in the Zeeland seaside town of Oostkapelle, this piece reflects Mondrian’s fascination with spiritual harmony in nature and his growing exploration of structure and form.
Farm Setting, Three Tall Trees in the Foreground (ca. 1907)
In this delicately rendered drawing, Piet Mondrian captures a serene rural landscape marked by three towering trees in the foreground. Executed with soft pastels and subtle linework, the scene exudes a quiet atmosphere, where farmhouses, cattle, and distant fields harmonize with the muted palette of early spring or late autumn. This piece reflects Mondrian’s early naturalistic phase, where his attention to structure, rhythm, and form foreshadowed his future in abstraction.
View from the Dunes with Beach and Piers, Domburg (1909)
An early yet vibrant landscape by Piet Mondrian, this expressive seascape captures the sweeping view from the dunes of Domburg along the Dutch coast. Painted with broad, textured strokes and a radiant palette of gold, lavender, and ocean blue, the work beautifully conveys the rhythm and movement of the sea and sky. This piece reflects Mondrian’s deep connection to nature before his journey into abstraction, offering a glimpse into the evolving genius of one of modernism’s pioneers.
Oostzijdse Mill along the River Gein by Moonlight (1903)
A moody and atmospheric landscape by Piet Mondrian, painted during his early realist period. This evocative scene captures the Oostzijdse Mill standing tall under a luminous moonlit sky, mirrored softly in the reflective waters of the River Gein. With expressive brushstrokes and a subdued palette of blues, greens, and greys, Mondrian conveys the quiet stillness of the Dutch countryside at twilight. The painting beautifully blends romantic naturalism with the artist’s growing interest in structure and mood.
Farmstead along the Water Screened by Nine Tall Trees (1905)
This tranquil early watercolor by Piet Mondrian captures a quiet farmstead partially hidden behind a delicate row of nine tall trees. The artist’s soft brushwork and earthy tones evoke a serene atmosphere, with the still water in the foreground reflecting the trees and buildings like a mirror. Created during Mondrian’s naturalistic period, this piece reveals his sensitivity to light, composition, and the interplay between structure and nature.